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WHAT IS A WIND
SYMPHONY?
A wind symphony is a large musical ensemble (typically 40 musicians) consisting
of brass, woodwind, and percussion. The instruments include flute, oboe,
English horn, bassoon, clarinet, saxophone, trumpet, French horn, trombone,
euphonium, tuba, string bass, and percussion (including timpani, cymbals,
snare, mallet instruments and more).
Pacific Crest Wind Symphony is modeled after the acclaimed Eastman Wind
Ensemble, at the Eastman School of Music in Rochester, New York. Under this
format, each part is assigned to a single instrument. No parts are doubled
except for flute, clarinet and tuba. The result is a sophisticated, appealing
sound quite different from that of ordinary concert bands.
REPERTOIRE
The flexibility of instrumentation allows the ensemble to perform a wide
variety of music ranging from the work of Bach, Handel and Mozart to 20th
century literature written by composers such as Leonard Bernstein, Aaron
Copland and George Gershwin. While our repertoire includes literature
originally composed for other instruments that has been transcribed for band,
as well as traditional band music such as John Philip Sousa marches, we
emphasize compositions created especially for wind ensemble. Over the past
several seasons, we have performed the works of many contemporary composers, at
times featuring the composer as guest conductor or consultant.
BACKGROUND
Pacific Crest Wind Symphony was originally founded by Daniel Cole-McCullough in
March of 1988 as the Marylhurst Wind Ensemble and as part of Marylhurst
College. In 1990 we discontinued our involvement with the college and Pacific
Crest Wind Ensemble was born. In September 1994 Pacific Crest adopted a new
home, moving to Warner Pacific College. In 1998, Robert Murray led PCWS, and
the group changed its name to Pacific Crest Wind Symphony to reflect the
group's growth and the increasing range and sophistication of its repertoire.
Dr. William Tuttle joined PCWS as our conductor and music director in 1999 and served in that position until 2006.
In 2002, we started rehearsing at Portland State University and began
performing there in 2003.
Since its inception, PCWS has been both an artistic challenge and a labor of
love. The ensemble and each of its members have set a standard of musical
excellence and continual artistic growth, providing its loyal and
ever-expanding audience with exciting musical performances. Strictly a
volunteer organization, the members of PCWS follow the renaissance ideal of
pursuing more than one interest, and doing each well. As such, members come
from a variety of professions, ranging from zookeepers, software engineers,
teachers, physicists, artists, architects, retirees and much more.
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CONDUCTOR
DR. EDWARD HIGGINS
Pacific Crest Wind Symphony is proud to perform under the direction of Dr.
Edward Higgins. Dr. Higgins is currently the Director of Bands at Portland
State University, where he has taught and conducted since 2005. Prior to
joining the faculty at PSU, Dr. Higgins served as Associate Director of Bands
at Washburn University. During his five year tenure, he co-directed the
Washburn Symphonic Wind Ensemble to four appearances at the Kansas Music
Educators Conference and one appearance at the College Band Directors National
Association Regional Conference. An accomplished performer and conductor with
over two decades of professional experience, Dr. Higgins began his musical
career on high brass, receiving a bachelor’s degree in trumpet from California
Institute of the Arts. While completing bachelors and master’s degrees in
trumpet performance at the Juilliard School, he was a regular performer with
the Lincoln Center Outreach Program. He earned his Doctor of Musical Arts
Degree in conducting from the University of Missouri - Kansas City. His
professional career began with two seasons as principal trumpet for the Spoleto
Festival Orchestra (Spoleto Italy) during which time he appeared on a
Grammy-award winning recording of Samuel Barber’s Anthony and Cleopatra.
Dr. Higgins went on to become the Principal Trumpet of the Sacramento Symphony
from 1983 - 1987. While in California, he earned a reputation as one of the
state’s leading brass educators, serving on artist faculties at the University
of California-Davis, California State University at Sacramento, and Delta
College. Dr. Higgins now performs exclusively on tuba and is a Yamaha
Clinician. He currently serves as the principal tubist with the La Crosse
(Wisconsin) Symphony and the St. Joseph (Missouri) Symphony Orchestras and
formerly held the tuba post with the Missouri Brass. He has also appeared with
the Kansas City and Topeka Symphonies.
His other conducting activities includes appearances with the La Crosse (WI)
Symphony Orchestra Winds, Lawrence (KS) Chamber Orchestra and the La Crosse
(WI) Municipal Band. He has studied conducting with Robert Halseth, Allan
McMurry Tim Hankewich and Gary W. Hill and been a conducting symposium
participant under Frederick Fennell, Alan McMurry, John Whitwell, and H. Robert
Reynolds.
Dr. Higgins' edition of Robert Russell Bennett’s 'Suite of Old American Dances' is
published by Hal Leonard Publishing and currently serves as the model for a new
line of re-issued master works.
ASSOCIATE CONDUCTOR
PAUL JOLSTEAD
Paul Jolstead is the band and orchestra director at Wilson High School, where he has been teaching since 2004. His prior teaching positions include director of bands at T.C. Williams High School in Alexandria, VA (of “Remember the Titans” fame), Canby High School, Damascus Middle School, and assistant band director at Sam Barlow High School.
Mr. Jolstead was born and raised in Madras, Oregon where he was in his father Deane Jolstead’s band program. He received both his Bachelors and Master of Arts degrees in Teaching from Lewis and Clark College. He is an active trumpeter in the Portland Metro area, currently performing with the Mt. Hood Pops Orchestra and PCWS. Other groups he has performed with include the Oregon Symphonic Band.
Mr. Jolstead would like to mention and thank his musical mentors: piano teacher Geneva Wright, trumpet teacher Jim O’Banion of Lewis and Clark College, and Dave Becker of Lewis and Clark College, but mostly his father Deane Jolstead—"thanks to all for making me a better musician".
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