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Bylaws and Performing Members Handbook

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September 2007

Contents

I. About the handbook
II. Introduction
III. Becoming a Member
IV. Remaining a Member
V. Terminating Your Membership
VI. The Officers of the Ensemble

I. About the handbook

The purpose of this handbook is to clearly define the policies and procedures of the Pacific Crest Wind Symphony. This document is a "living" document that can be changed with additions and deletions as the needs of the ensemble are determined by the membership and Board of Directors. Each edition of the handbook has the date printed at the beginning and automatically rescinds and replaces all previous editions.

The first edition of this handbook, from December 1992, was the culmination of several months of study, advice, criticism, editing and discussion between the members of the Board of Directors, Section Managers, members of the Pacific Crest Wind Ensemble, and the handbook committee.

Changes and revisions of this handbook shall be made by a majority consensus of the Board of Directors. Suggestions for changes, corrections, or additions should be given to any Board member for consideration in the next draft.

II. Introduction

Welcome to the Pacific Crest Wind Symphony! This handbook should answer your questions about the ensemble and how it operates.  

The Pacific Crest Wind Symphony’s mission is:

  • to affirm the wind ensemble position in America ,
  • to contribute to the musical growth and expression among the performing membership,
  • to contribute positively to our musical environment, whether local, state, national, or international, and
  • to strive consistently for musical excellence.

Growth will occur as a performing ensemble in several areas including performance excellence and audience attendance. To achieve this growth, the ensemble will stretch its abilities by taking on projects that expand our exposure and musical maturity. Such projects may include but are not limited to: joint performances with other groups, conferences and workshops, recordings, and a limited amount of travel and publicity activities in addition to our normal concert schedule.

A brief history of the Pacific Crest Wind Symphony:

  • The Pacific Crest Wind Symphony was originally founded by Daniel Cole-McCullough in March of 1988 as the Marylhurst Wind Ensemble and as part of Marylhurst College.
  • On October 12, 1990 we obtained non-profit status from the Internal Revenue Service and became a 501(c)(3) organization, which discontinued our involvement as part of the college curriculum. It is at this point that Pacific Crest Wind Ensemble was born.
  • In September 1994 Pacific Crest adopted a "new" home and began rehearsing and performing at Warner Pacific College .
  • In 1998 Robert Murray succeeded Daniel Cole-McCullough as conductor, and the group changed its name to Pacific Crest Wind Symphony.
  • In 1999 William Tuttle succeeded Robert Murray as conductor.
  • In 2002 Pacific Crest began rehearsing at Portland State University and performing at Horner Performing Arts Center on the campus of David Douglas High School .
  • In 2003 Pacific Crest began performing at Lincoln Performance Hall on the campus of Portland State University .
  • In 2006 Edward Higgins succeeded William Tuttle as conductor.

We are on a year-to-year contract with the college. This contract with the college allows Pacific Crest to rehearse, perform and use the equipment of the college. We are covered under the "blanket" of performing rights paid to ASCAP and BMI by the college. Performances "off" campus are covered by ASCAP.

We have established a Constitution.

The Pacific Crest Wind Symphony is governed by a Board of Directors which presently includes: a President, Vice-President, Secretary, Treasurer, Publicity Director, and Concert Coordinator, who are elected by the ensemble members. The Marketing Director, Librarian, Community Outreach Director, Development Director and Auxiliary Director are appointed by the Board.

Other non-board officers include: the Conductor, who is under contract to the ensemble; the Associate Conductor, selected by the Conductor with input from the membership, and serves a two year term; the Legal Advisor, who is appointed by the board and serves a three year term, and the Section Managers, who are appointed by the conductor and serve until replaced by the conductor. (There is also a Concert Master position, which is appointed by the conductor, and serves until replaced by the conductor. The Concert Master position is not being filled at this time).

There are also several committees that function for various purposes and at various times. The committees report to the Board of Directors. This includes the Ensemble Auxiliary (or "Band-Aides"), which is responsible for ticket collection, concessions, and helping with fund raising.

The Constitution and later sections of this handbook explain in detail the election process of the Board and their individual functions. If you have any further questions, either refer to the Constitution or ask any Board member.

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III. Becoming a Member

The Pacific Crest Wind Symphony is based on the Eastman Wind Ensemble concept. There is only one player per part except flutes, Bb soprano clarinets, and tubas which are doubled, unless otherwise dictated by the composer.

When there is a vacancy in a section it is the Section Manager’s responsibility to initiate a search for a replacement. With the assistance of the Publicity Director, the open position will be advertised in several outlets, including (but possibly not limited to) Oregonian Call Board, PCWS website, local/regional music stores, and local/regional college music departments, as well as via personal contacts. Applications (either written or verbal) are accepted, and a formal audition is scheduled.

As a prospective member, you will perform at the appointed time and location for the Conductor, Associate Conductor, and the Section Manager of your instrument. The Section Manager (or the Conductor if the Section Manager is absent) will notify you of the audition results.

The audition criteria include:

  1. Performance of your chosen piece (e.g. sonata, concerto, etude)
  2. Technique, to include:
    1. Scales
    2. Arpeggios
    3. Sight reading
    4. Musicianship
  3. Interview

At the discretion of the audition panel, you may also be asked to be evaluated in the ensemble setting (e.g. sit in during a rehearsal).

Once you have passed the audition, you will be assigned parts by your Section Manager and will be introduced at the next rehearsal.

Note:  Audtions to make a permanent move within a section (e.g. from tenor sax to alto sax) are held at the discretion of the Conductor or Section manager.

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IV. Remaining A Member

A. Pacific Crest Wind Symphony expectations:

All members have the following responsibilities:

  1. You are expected to participate in all rehearsals and concerts, both mentally and musically. In particular, you are expected to be at the rehearsal or performance site in plenty of time to prepare, including your own warm-up routine, and to be ready to start at the appointed time.
    1. If you are late for the rehearsal, you are expected to wait until the piece being rehearsed is over. or until invited by the conductor, before taking your seat in the section.
    2. The Wind Symphony’s performance schedule varies. Recent experience suggests that members should expect an average of four to six concerts per year.
  2. You are expected to participate in the setup/tear down at each rehearsal or performance (barring disability).
  3. You are responsible for obtaining a competent substitute if you must miss either a rehearsal or concert. Notify your Section Manager of any absence as far in advance as possible. If the Section Manager does not acknowledge receiving your message in a timely manner, notify any PCWS board member. Every performer is important because of the wind ensemble format.
  4. Make every attempt to get your music to rehearsal even if you cannot be there. A missing folder can make it difficult or impossible to rehearse a piece due to the fact that most parts are solo parts.
  5. It is our desire to present a unique, uniform appearance when we perform as an ensemble during our concert season.  Therefore, the Board of Directors has unified the concert dress code for both men and women as follows: ALL BLACK Black dress slacks, Black socks/stockings, Black dress shoes, Black long sleeve button-front, woven dress shirt or blouse, with collar (no sheers), NO TIES!! note: Please, no polos, black jeans, black sneakers or Birkenstocks!  
  6. Have your music practiced and ready for rehearsal each week
  7. You are responsible for ensuring that your instrument(s) is in good working order and for ensuring that it is transported to each rehearsal/performance site.  If your instrument(s) belongs to PCWS or to a host venue and it is in need of repair, report this to the Concert Coordinator.
  8. Pay your dues on time:
    1. On average, each piece we play represents a cost of about $100.00. Dues also help pay for the conductor’s salary and other expenses of the group.
    2. Currently, dues are $20.00 each for the fall, holiday, spring, and season finale concert series, or $80.00 per year.  Dues are not required for the summer concert series.
    3. Dues are payable on or before September 15th, January 15th, and April 15th for the quarter in advance.
    4. Bank charges for NSF checks are the responsibility of the member.
    5. Dues for new members are waived for the first quarter after joining the group.
    6. Members whose dues are in arrears are not permitted to vote, will not receive complimentary tickets, and may be called before a Board of Review.
  9. Turn in all music as required at the end of each concert series to the Librarian. You are individually responsible financially for the music assigned to you.
  10. Participate in any and all fund raising events to the best of your ability. The ensemble is a non-profit corporation and has many other expenses in addition to the purchasing of music. At this time there are four means of fund raising:
    1. ticket sales at concerts.
    2. donations of money, time, and "in kind" such as music or instruments from members or the public.
    3. selling "Entertainment Books".
    4. performing either as the full ensemble or voluntary performance in smaller groups for tax deductible donations. These extra performances must be approved by the Board of Directors and there is a minimum donation amount involved. If you arrange an approved performance, you are entitled to a 15% commission of the gross donation. If you arrange an approved performance through or with an agent, the maximum commission is 20% which would be divided between you and the agent.
  11. Please follow the guidelines below at all rehearsals/performances out of courtesy to the other members:
    1. If you are sick, please don’t infect others! Instead, don’t attend the rehearsal/performance, notify your section manager, try to find a sub, and (most important of all) get well!
    2. No Smoking at rehearsals/performances.
    3. Please do not wear large amounts of cologne/after shave at rehearsals/performances out of courtesy to others who may be sensitive or allergic.

B. Absences

In fairness to the vast majority of the playing members who attend regularly, a written policy has been drafted to cover absences.

The Wind Symphony understands that you cannot always attend every rehearsal. Common situations include medical, business related, or planned vacations.

Section Managers must be notified by members of any absence as far in advance as possible prior to a rehearsal or performance.  If you are unable to contact your section manager, you must contact the Conductor, Associate Conductor, or a Board member. You are responsible to find a qualified substitute for any rehearsal or performance you may miss. Your Section Manager will give you names of performers you can ask to take your place.  There is also a sub list published on the web site.

If, for any reason, you miss three (3) or more rehearsals prior to a performance (or concert series), the conductor may, at his/her discretion, ask your substitute to play the performance in your place.

The Conductor must be notified by the Section Manager (or their representative) of any substitution as far in advance as possible prior to any rehearsal or performance.

All substitutions for a particular concert must be in place by the 2nd rehearsal for that concert.  Only the Conductor may make special dispensation.

C. Leave

The Wind Symphony also allows its members to take a leave.   In order to take a leave, you need to give a written request to your Section Manager or a Board member stating when you expect to return.  There are two types of leaves;

  • A Personal Leave may be as long as six months, and must be approved by the Board.  No reasons need be stated for a Personal leave.
  • The Board may grant a Medical Leave.  Such would be subject to quarterly review by the Board.

Your position will be filled as soon as possible by the section manager, and the alternate/interim player will be notified of your returning date. You are responsible for paying dues during your absence.

D. What you can expect from the Wind Symphony.

As a member of the Pacific Crest Wind Symphony you should expect:

  1. The highest caliber of music to perform.
  2. An environment free from discrimination or harassment and the guarantee of equal opportunity regardless of race, religion, age, gender, or nationality.
  3. Friendly, caring people with the same interest in musical quality that you have.
  4. A rehearsal and performance environment that exudes hard work and enjoyment.
  5. To have a copy of the Constitution and the By-Laws/Performing Members Handbook (this document).
  6. To be allowed expression of any creative ideas or concerns to the Board members at anytime.
  7. To be permitted to attend any regular Board meeting. (The Board upon occasion may hold a special session on a specific subject. Under certain unusual circumstances, such as a personnel issue, the Board can limit attendance to such a special session.)
  8. To vote at all elections and general meetings of the membership when your dues are current.
  9. To file a grievance with the Board of Review and expect a meeting at the earliest convenience of the Board to help to solve the problem in the best interests of the Pacific Crest Wind Symphony. The Board of Review is described in the section Terminating Your Membership.
  10. To have the opportunity to play all parts (1st, 2nd, 3rd, etc.) you are capable of playing, as determined by the section manager or the conductor.

If you have any questions, please ask any member of the Board of Directors, the Conductor, or your Section Manager. We sincerely hope you enjoy the many wonderful moments of music making as a member of the Pacific Crest Wind Symphony.

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V. Terminating Your Membership

There are two reasons to end your membership: (A) because you wish to, or (B) because you have been asked to.

A. You choose to resign

You need to give written notification to your Section Manager or the Conductor. If you later wish to return, you will have to wait for an opening and then re-audition.

B. You are asked to resign

  1. All members must remain musically competent to the needs of the score. The Conductor may require you to re-audition if (s)he feels that you are not maintaining your musical competence. If you decline to audition or do not pass the audition, you may be dismissed from the ensemble.
  2. The Pacific Crest Wind Symphony will not tolerate any form of harassment or discrimination. If after being warned, your behavior continues, you will be dismissed from the ensemble. Members are encouraged to report incidents to any board member so that appropriate measures may be determined and acted upon immediately.
  3. Disciplinary action by the Board for endangerment, either mental or physical, may include your immediate dismissal from ensemble membership.
  4. A Board of Review may be called to review and make a determination regarding the necessary course of action. The Board of Review is described in item C below.

C. Board of Reivew 

The Board of Directors shall review any action brought to its attention, issue warnings for certain behaviors, and set forth consequences should such action again occur.   A Board of Review may be called by the Board of Directors to review the actions of any member that is deemed to cause harm and/or hardship to PCWS.   Prior written notice shall be given to the member of a pending Board of Review, stating the reasons why, when, and where such meeting shall take place, and offering the opportinity to appear before such Board of Reivew to speak on their own behalf.

The Board of Review shall be made up of five members.  The Vice President of the Board of Directors shall chair the Board of Review.  The Associate Conductor shall serve on the Board of Review to represent PCWS' musical interests.  The Section Manager of the member up for review shall serve on the Board of Review to represent the section of the member up for review.   The remaining two members of the Board of Review shall be appointed by the President of the Board of Directors,  one from the Board of Directors, and one non-Board member from the membership at large.

Should any of those mentioned above be the subject of the Board of Review, the President of the Board of Directors shall appoint a replacement.  If the Vice President were the subject, the President shall appoint another member of the Board of Directors as the chair of the Board of Review.  If the Associate Conductor were the subject, the President shall appoint a Section Manager who is from a different section than the Associate Conductor.   If a Section Manager were the subject, another member of that section shall be appointed by the President    Should the President be the subject, the Secretary of the Board of Directors will make the necessary appointments.

The Board of Review has the final say on the matter.  It decides the case and doles out any diciplinary action.  The ruling would go before the Board of Directors only for review of the decision with regard to ethical or moral aspects.  The Legal Advisor will be asked to render a legal opinion.  If the decision is deemed ethical, moral, and legal, the decision is final.  The Board of Directors and members of the Board of Review are enjoined from making any public disclosure regarding any matter brought before the Board of Review. 

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VI. The Officers of the Ensemble

If you are interested in running for office or volunteering for an appointment, the following are job descriptions of the various Board members and non-board officers.

A. Elected Board Members

President

The primary job of the President is to make sure that the organization maintains a clear vision of its direction. The growth of the ensemble depends on this vision, without it, the group will eventually stagnate. It is not necessarily the President’s job to create the vision, in fact, it is better if the group as a whole has input in defining the vision.

There are many other responsibilities:

  • Delegation of jobs and tasks: The President is responsible for making sure that each task has been equitably assigned to the person(s) performing the task, taking into account the individual’s expertise, interests, and the overall needs of the ensemble.
  • Matching the vision with reality: The ensemble has a finite set of resources that grows over time. These resources should be used as fully as possible in order to provide growth through stretching but should not be overtaxed.
  • Day-to-day management: The ongoing management of the ensemble must be attended to. It is the President’s job to insure that operations are smooth and efficient. This includes the following items:

·         Convene and chair regular meetings of the Board of Directors.  

·         The chair is responsible for the agenda of the meeting.   Any member of the board may bring motions to the floor and vote on such.

·         Overseeing the operations of the concert season; advertising, ticket sales, etc.

·         Overseeing the planning for special events; conferences, tours, recordings, etc.

  • Ensuring that the ensemble is secure financially: This is part of daily management, but is important enough to warrant special attention. Although all board members who incur expenses for the group are responsible for ensuring those expenses are in line with the ensemble’s income, it is the ultimate responsibility of the President that the ensemble’s expenses stay within its means.
  • Feedback: The Conductor has ultimate artistic responsibility for the ensemble. It is the President’s job to ensure the Conductor has consistent and fair feedback from and about the ensemble. Again, it is not necessarily the President’s job to provide all the feedback, but to make sure that the feedback is provided from whatever sources are available.

Vice-President

The Vice-President has the following duties:  

  • Facilitates meetings and addresses problems as necessary in the President's absence, including acting as chair of meetings of the Board of Directors   
  • Acts as a liaison with any subcommittees that have no Board member as a representative
  • Coordinates or chairs committees for major projects
  • Chairs the Board of Review

Secretary

The Secretary shall keep records (minutes) of all meetings of the Board of Directors, and full membership and other permanent records as may be necessary, both hard copy and electronically.

The Secretary shall write notes of thanks as appropriate.

The Secretary shall maintain all ASCAP reporting.

The Secretary will be responsibile for signing checks when needed and will hold a key to the safety deposit box.

The Secretary will chair meetings of the Board of Directors in the absence of both the President and Vice President.

Treasurer

The Treasurer collects, deposits and disburses all moneys approved by the Board of Directors. At least two Board Member signatures are required on all checks.

The Treasurer is responsible for all financial records and timely filing of necessary tax returns.

The Treasurer provides a monthly report to the Board of Directors at regularly scheduled Board meetings.

The Treasurer directs the Board in its annual budget preparation and approval process.

An audit of the Treasurer’s PCWS financial records can be called at any time by the Board of Directors and the Treasurer can be held responsible for any and all discrepancies.

The Treasurer also writes letters of thanks for all charitable contributions and forwards donor information to the Membership Chair as well as the Auxiliary Director.

Concert Coordinator

The Concert Coordinator will manage the details of each concert. This does not mean doing all the work, but rather to make sure the work gets done. When a job needs to get done for a performance, the Concert Coordinator will work with the President to select or accept volunteers to do it.

A good example is moving tympani to a remote site. It is the Concert Coordinator’s job to make sure someone has been selected early enough to get the job done and that person or persons have sufficient help to succeed and that no person is overworked.

Some Areas of Responsibility:

The following are areas that the Concert Coordinator is responsible for managing. This list is not necessarily complete. It is meant as a guide for distinguishing duties.

  • Equipment transportation. Make sure people are assigned the task of moving equipment to other sites when necessary. This assignment needs to occur early so members have sufficient time to plan and execute the move in a timely fashion.
  • Arrangement with host organization. For example, the concert at Lake Oswego Festival of the Arts had some details such as: arrival time, busing, and equipment moving that needed to be negotiated with the festival organizers. The Concert coordinator is responsible for insuring these details have been settled in the acceptable manner by all sides involved. Determine what equipment the host has available and what needs to be brought in and plan accordingly.
  • Extra activities. When the ensemble takes on the challenge of a larger activity such as a band festival, the concert coordinator will be heavily involved (along with the Board) in arranging the details necessary.

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Marketing/Publicity Team

Responsible for increasing visibility and awareness of PCWS, building audiences, and improving communications within the group and with the audience and our commumity(ies), the Marketing/Publicity Team is made up of two individual positions, Marketing Director and Publicity Director

The Marketing Director is an appointed position, open to non-members as well as members to ensure experience in marketing and communications. The primary function of the marketing director will be setting long and short-term goals, strategies, and creating and implementing an annual marketing plan.

The Publicity Director is an elected position, preferably to be filled by a performing member of PCWS. Duties specific to the Publicity Director include serving as the liason between the PCWS membership and the Board of Directors with regard to Publicity and Marketing activities.

Individual marketing tasks may be divided between marketing director and publicity director according to individual skills and availability, with remaining tasks to be delegated as necessary to other board members, general members, outside volunteers, and vendors.

Those tasks include, but are not limited to:

  • Advertising
  • Media/public relations
  • Publications and promotional materials
  • Posters
  • Direct mail
  • Make certain all communications and activities further PCWS goals and maintain established image/identity
  • Website
  • Electronic communications
  • Fundrasing (in conjunction with development director)
  • Corporate sponsorships (in conjunction with development director)
  • Individual sponsorships (in conjunction with development director)
  • Tickets (in conjunction with auxiliary director)
  • Programs and other publications
  • Merchandising (in conjunction with auxiliary director)
  • Promotion of school concerts>
  • Promotion of Gerri Clark Fund
  • Coordinate grass-roots marketing efforts among members
  • Identify skills amongst PCWS members and involve as many members as possible in marketing efforts and in generating new ideas
  • Enlist and supervise members and volunteers for duties not covered between marketing director and publicity director (e.g. photography, writing, graphic design, web development, etc.)
  • Keeping a historical archive (i.e. "scrap book") of all publicity records and events including at least one copy of each concert program.

B. Appointed Board Members

Librarian

The Librarian is appointed by the Board and serves the ensemble’s needs with respect to care, maintenance, and distribution of active music files. The Librarian receives instructions from the Conductor and is delegated the authority and responsibilities to meet the needs of the Pacific Crest Wind Symphony music inventory and performing membership.

The duties and responsibilities of the Librarian include, but are not limited to, the below listed items:

  • Receive music from the Conductor and distribute the music to the Section Managers in a timely manner
  • Collate and reestablish score order for all returned music to be filed in the ensemble or borrowed inventory
  • Develop and maintain an inventory of all ensemble owned music; this includes marking all new music with the ensemble stamp that is identified as owned by the ensemble; maintain a file of music receipts as they are received
  • Maintain status of music folder condition and report all missing or damaged folders for replacement/repair needs; clean all folders of extraneous material; return all personal effects to ensemble personnel if ownership can be identified
  • Have back copies of music parts for music distributed at large for each rehearsal; assure that parts taken from back copy inventory are accounted for and returned after use; ensure that back copy files of distributed music are maintained in serviceable condition and are protected from damage or theft
  • Make sure extra parts are available at each rehearsal/concert
  • Deal with requests by other groups for the loan of music from our library.  Keep a signed written record of loan with check-out and check-in dates
  • Supply Associate conductor with a list of scores for upcoming concerts, and duplicate scores when appropriate

Auxiliary Director

This position is intended to give practical support to the organization in several different ways, including but not limited to:

  • Recruiting and overseeing Front House crews for ticket and refreshment sales at each concert
  • Assisting the Publicity/Marketing Directors with mailings and by passing out promotional flyers at summer park concerts and other appropriate venues
  • Assisting the Development Director with mailings and special fundraising events
  • Providing hospitality for guest artists at concerts (i.e., flowers, backstage greeting, receptions, etc.) or other recognition as the Board decides
  • Assisting with other projects and activities as mutually developed by the Board and the Auxiliary Director.

Development Director

The development director will provide direction and leadership for fund raising activities. Responsibilities include but are not limited to the following:

  • Research and pursue:

·         grant opportunities

·         corporate sponsorships

·         individual sponsorships

·         other non-ticket-revenue sources of income (e.g. E-book sales)

  • Direct activities within the Board and PCWS membership for non-ticket-revenue sources of income (e.g. E-book sales)

Community Outreach Director

The Community Outreach Director will perform special projects mutually agreed to by the Board and the person holding this position. Responsibilities include but are not limited to the following:

  • Plan and organize outreach activities designed to increase PCWS’ presence in the community.
  • Participate with Board in locating alternative performance venues for educational/school fundraising performances and special events.
  • Direct activities to secure alternative performance venues.
  • Act as liaison between PCWS and alternative venue personnel.
  • Design, oversee and carry out activities to improve audience attendance.
  • Act as Concert Coordinator for all secondary venue concerts regarding equipment and communication between directors

C. Other Officers of the Wind Symphony

Conductor

The Conductor will be responsible for all programming of concert and selection of music to be performed by the Wind Symphony.

The Conductor manages the rehearsals of the ensemble. The Conductor normally conducts the performances of the ensemble. Note that the Associate Conductor aids in these same activities at the discretion of the Conductor.

The Conductor has full authority over the technical aspects of the ensemble’s rehearsals and performances, including but not limited to: assignment of parts, assignment of solos, assignments to the Associate Conductor and musical interpretation of all parts.

The Conductor is invited to attend all Board meetings.

The Conductor will receive as remuneration, a stipend as agreed upon by a negotiated and signed contract between the Board of Directors and the Conductor.

The Conductor acts as a subcontractor to the Wind Symphony and is therefore solely responsible for his/her reporting and withholding of personal income to the various taxing agencies, Federal, State and local.

Associate Conductor

The Associate Conductor is selected by the Conductor with input from the membership, and serves a two year term. The Associate Conductor does not have to be a performing member of the Pacific Crest Wind Symphony.

The responsibilities of the Associate Conductor are to: have all scores prepared in the event (s)he must rehearse or perform in the absence of the Conductor; to have the opportunity to conduct at least one major work in each concert at the discretion of the Conductor, attend auditions for vacancies in the ensemble; to assist the Conductor in sectional rehearsals, and to assist the Conductor by rehearsing the ensemble so the Conductor can listen to help the ensemble improve its musicianship.

The Associate Conductor attends the concert planning meeting with the Conductor and Section Managers.

The Associate Conductor serves as a member of the Board of Review. (S)He is invited to attend all Board Meetings.

Section Managers

Section Managers are appointed and replaced by the Conductor as warranted.

The Section Manager is responsible for initiating a search for a replacement if there is a vacancy in the section. This includes vacancies due to a member resigning from the ensemble, and temporary vacancies due to a member taking a Personal or Medical Leave of Absence

The Section Manager attends auditions for vacancies in his/her section and is responsible for notifying them of their audition results.

The Section Manager attends the concert planning meeting with the Conductor and Associate Conductor. If unable to attend, s(he) appoints a member from the section to attend this meeting in their place.

The Section Manager attends auditions for vacancies in his/her section and is responsible for notifying them of their audition results.

The Section Manager is responsible for distribution of music within his/her section as defined by the conductor, within 1 week after receiving it from the librarian.   (S)He is also responsible, in consultation with the conductor, for the assignment of parts. (S)He is responsible for the conduct of the section and will call section rehearsals as needed.

The Section Manager maintains a list of competent substitute players for their section on the password-protected portion of the PCWS web site that can be called in the event a regular member cannot attend either a rehearsal or concert.  It is not the responsibility of the Section Manager to arrange the substitution: that is the responsibility of the regular member.  If you need a sub, refer to the Sub Lists link on the web site, or call your Section Manager for a list of names.  

The Section Manager serves as a member of the Board of Review when a member of their section is involved.

The Section Manager maintains a current phone and email list of the regular members in their section on the password-protected Roster  page of the PCWS web site for emergency situations such as inclement weather cancellations of rehearsals or concerts. A "phone tree" is established that provides for these emergencies:

  1. The Conductor calls and emails the President (or vice-versa as circumstances dictate)
  2. The President calls and emails the Section Managers
  3. The Section Manager calls and emails their section members and subs

All Section Managers are encouraged to attend all Board meetings to provide input for the best interest of the Wind Symphony and be able to provide their section with the latest information from the Board of Directors.

Concert Master

The Concert Master is appointed and replaced by the conductor as warranted. As of this time, this position is not being filled. The duties of the Concert Master that are listed below have been reassigned to other officers of the Board as required.

The Concert Master is responsible for the tuning of the Pacific Crest Wind Symphony. The Concert Master assists the Conductor and Associate Conductor in the music aspects of rehearsals and concerts as needed. The Concert Master is next in line to conduct rehearsals, sectional rehearsals and concerts in the absence of both the Conductor and the Associate Conductor. The Concert Master is the musical liaison between the Section Managers and the Conductor.

Legal Advisor 

The Legal Advisor is appointed by the board and performs the following functions:

  • Provides the Board with legal guidance;
  • Reviews all legal documents for accuracy and compliance with the law;
  • Renders assistance in any situations that may require mediation.

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Membership Chairperson  

 

The Membership Chairperson is appointed by the board and reports to the Vice President, and performs the following functions:

  • Maintains all lists including membership, donor, mailing, and email addresses
  • Gives a handbook to each new member
  • Collects dues
  • Tracks attendance at rehearsals and concerts
  • Coordinates with those needing to pass items out to members
  • Passes out member and student comp tickets
  • Is the phone contact for PCWS

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